sagawizard ([info]sagawizard) wrote,
@ 2009-03-21 14:05:00
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BSG finale review


Ah, sadness. BSG is no more. The writing quality definitely declined during Season 4, but the series finale and the episodes immediately preceding did create a fitting and satisfying end for me.

For one, I liked the "meta level" on which the last few episodes operated: Adama trying to do everything he could to save the ship, coming increasingly to terms with the fact that Galactica had run its course...not just the ship itself, but the entire way of life the Fleet had known, was coming to an end, and you had to deal and move on (characters who couldn't didn't end well - Dee and ultimately Cavell, who committed suicide, or Gaeda and Zarek who rebelled uselessly), no matter how painful that might be. And that was the message for the show's fans, too...like it or not, BSG the show is coming to an end, you're going to have to accept that and enter the next stage of things (heh, i.e., watching the spinoff series Caprica!) And it was indeed painful, even though the show (like the ship) was clearly kind of falling apart.

And I have to say, Ron Moore gave us the ultimate plot device explanation - angels! Every time so ridiculous deus ex machina happens, you know what, it actually IS, LITERALLY, a deus ex machina! So the asteroid-hits-racetrack's-ship-and-launches-the-nukes thing totally made sense in that context, whereas otherwise I'd be groaning at the utter cheesballness of it all.

Yet at the same time, these "angels" clearly have a specific role: allow enough of mankind to reboot itself every time it wrecks itself. I love the theme, throughout the show, of humanity as its own worst enemy, and how the real "villains" in the show were never the cylons as much as intolerance, paranoia, greed, treachery, and an overreliance on technology. As noble as the four years' exodus was, humanity was doomed, doomed, because they just brought all their vices with them, and the only way to survive was to "reboot" (although even that, apparently, didn't solve things, as "Real Earth" is at least the 3rd human reboot and looks destined for the same fate). And yet all along there are those who want to bring humanity to something better, perhaps guided by the "angels"...

Adama ended on a tragically noble note. He was a man of the old world, with an inability to let go of the old ways. There is no place for him in the new world, just as we saw in the flashbacks when he couldn't sacrifice his pride and give up military service in order to retire. He is admirable, but as Lee criticized him, he forced himself to live in a very narrow box. Roslin, too, couldn't let herself let go of the past (as evidenced in her own flashback), and by the time she sees another way it could be, it's too late - she's missed her chances.

Cavell, too, is a tragic figure, and a foil for Adama. Where Adama is chained to his sense of duty, Cavell is chained to his sense of self-interest. He *realizes* that there is really nowhere for him to go, which is why he commits suicide at the end. He has the humans at his mercy, but what's the point? He's lost his chance at perpetuating his race, he's not satisfied with life without immortality, and even if he had it, what the hell would he do? He has no goal, no vision, just a sense of being cheated by his creators for having made him inferior. He's the end of the road for a philosophy built on greed...either someone destroys you (ala the Colonies) or you destroy yourself. Cavell goes out having brought no good to anyone...at least Adama goes out having led humanity to the promised land. Like Moses, he can't enter it (the last image of him on the cliffside was very Moseslike), but at least he paved the way for others. His sacrifice MEANT something. Cavell's didn't.

Baltar actually uses his "con-artist" powers for good instead of evil when brokering the (short lived!) Adama-Cavell truce. Not sure I buy his transformation at the end, but the line about "I know how to farm" was very moving. On the one hand, it is Baltar doing what Baltar always does - shifting, changing faces, adapting to survive wherever he is - but on the other it's a reconnection with the one kernel of genuine person within him, the way he was raised, his "original" way of life - plus a farmer is someone who gives and provides real tangible things for others. All Baltar's given anyone else before are hollow promises. Sounds like an evolution to me.

Saddest of all is Galen. Every time he chose love, it screwed him over. I always liked his character, the "geek" of Galactica, techhy and slightly pudgy and always getting the raw deal. I hope he actually finds some cute cro-magnon babe in proto-Scotland.

Kara? Poor Kara! Tool of the angels from the beginning. I cried at the scene when Lee turns around and she's vanished, even though I totally saw it coming.

Like [info]rowanarha, I had a VERY hard time believing that all the humans would agree to become hunter-gatherers, but at the same time, where else was there for them to go? Life on the ships sucked, there was no place left to wander, and frankly if the whole fleet was down to one tube of toothpaste, maybe there weren't much creature comforts to give up.
Also, I think the implication at the end was that only Hera's descendants grew into "us", so the rest of the colonials and cylons must have died off...probably because they didn't know how to live off the land... ;)

And hey, maybe all the UFO sightings and "greys" mythology comes from visitations by the freed Centurions... (hey guys, we're bored out here in space, thought we'd come by and anal probe you because, well, we're centurions, and we roll that way...)

Wonder what Moore (nice cameo, BTW) was doing with that last line about, "it's all a part of God's plan", followed by, "it hates when you call it that."

Hates when you call it a plan?
Hates when you call it God?

Not sure what we're meant to take from that...many many ideas, too many to list.

I'm feeling pretty much ok with how this all turned out. And hey, there's a made-for-scifi-movie ("the plan") and the Caprica prequel to keep me juiced from now on...

Solid B+. Went out in style. So say we all?



-SW



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[info]tonysalieri
2009-03-21 07:34 pm UTC (link)
But still..the thing about the Fleet is that it wasn't composed of humanities best and brightest. It was just anyone who was lucky enough to be in space, or get onto the Fleet. So there are tons of people who are ill-equipped for this sudden shift to subsistence living.

Think of all the poor Golgafrincher Ark B people who must make up a huge chunk of the fleet. It's kind of like this:

Lee: Okay, we're going to throw a huge source of construction materials, industrial production, and medical protection technology INTO THE SUN. And that's the best thing we can do for humanity! Now who's with me?

Guy 1: Wait a second. I'm an investment banker from PiCon City! You want me to do what?

Guy 2: I cannot, for my only skill, it is to make the tiny but stylish hats for the tiny but stylish dogs

Gal 3: I sanitize phones for a living!

Guy 4: I style hair! For Fraks sake, I STYLE HAIR!!!!

Guy 5: I help people buy furniture and then have a conservation with them where to best place the furniture best on hocus-pocus "Feng Shui!"

Lee: So say we all?

All: NO!

Guy 6: Hey guys! The cybernetic Cylons just found a way to make tubes of Felgercarb toothpaste out of algae. Lets sign on with them! Who's with me?

All: Yay Cylons!

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[info]rowanarha
2009-03-21 07:36 pm UTC (link)
Yeah I suppose I'll concede the point that the whole 'hunter gatherer' idea wasn't so much to perpetuate the species (although I'm sure some did survive), but mostly to give humanity a break... maybe getting some down time on a nice eden planet and going out with a nice relaxed sigh rather than an explosion makes for an interesting life lesson... I'll remove myself from my reality horse long enought to grant that to the show... :)

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[info]roboknee
2009-03-21 09:28 pm UTC (link)
The show was what it was and for a second I thought that perhaps the people of the fleet would have settled Atlantis. Choosing to not interfere with the planet and live their lives until Atlantis is destroyed.

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[info]academicblue
2009-03-22 07:30 pm UTC (link)
I loved the finale, even if it was over the top. It was Ron's Big Hippie Ending, complete with religion AND a critique of religion, and it made me deeply happy.

I quote you some Joni Mitchell: "We are stardust. Billion year old carbon. We are golden. Caught in the devil's bargain. And we've got to get ourselves back to the garden ..." Humanity had f-ed up every damn time, and it was time to go back to someplace green, and rest. Romanticized much? Absolutely. A bit colonialist? ("We'll give these native (cough) African peoples the best of ourselves") Absolutely. (I mean, they're CALLED the colonials, for crying out loud). But cinematically satisfying? So, so satisfying. They DID start (in relation to us) long, long ago in a galaxy far far away (I called this when I finished watching Season 1), and Hera is indeed the shape of things to come.

Poor Galen. Poor, poor Galen. But I liked how there was retribution for Cally and how this cylon-cylon murder destroyed resurrection forever....

Maccabee and I were fighting about the deus-ex-machina nature of the finale, and also about Kara not being properly "explained." I liked that. I don't care what Kara is-- a human who was resurrected, or just Some Other Thing. She was plugged into the whole music and mathematics mystical chords of the universe, and that's enough of an explanation for me. I didn't have to know how precisely she came back, because then the nice chills-down-my-spine feeling from "Crossroads, Part II" would have been reduced to some sort of gobbledy-gook explanation. Much as BSG was a realist and political show, it was also always a very mystical show, going all the way back to episodes like "Hand of God" and Baltar's first opera-house vision on Kobol. A show with stuff like that in the first season was TOTALLY going to have a mystical ending. (or, everyone was going to die. This season was so dark that I until I watched the finale I thought everyone but Baltar, Six, and Hera was going to die and then those three would go to some sort of Earth).

I like your Adama-as-Moses-on-the-Moab-hills analogy. Nice.

I loved the moments from the sunrise through the shot of Adama telling Roslin about their cabin.... I had mixed feelings about the coda at first, mostly because, despite some good editing, it was obvious that RDM, Six and Baltar were NOT in Times Square, and that really took me "out of" the story. Still, I did like how that part was written, if a bit over-the-top, and I loved, loved Baltar's last line. I read that as both an affirmation ANd a critique of human religion on Earth, 2009, which I will write in LOL CatSpeak: Religion. Iz real ting, but ur doin' it wrong. God's name/names have been used for so much awfulness, but some sort of vague and messy spirituality (which ends up being similar to math and music), is at work in the universe. Stop doing it wrong. If I were prone to go be a theist/pantheist again-- to come back from agnostic-- I would probably belong in this sort of Ron D. Moore fuzzy hippie religious groove.

Also, we laughed a lot when they started playing All Along the Watchtower over the closing shots. But in a basically good way.

Thus endeth my rant. The deus ex machina was fine, because it's built into the DNA of the show. And, you know, the Greeks invented it for a reason. It makes for a satisfying ending.

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[info]academicblue
2009-03-22 07:32 pm UTC (link)
One other thing: Old-School Cylons duking it out with New Edition Cylons= geektastic joy.

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[info]sagawizard
2009-03-22 07:43 pm UTC (link)

: Religion. Iz real ting, but ur doin' it wrong.

ROTFL!!!!

I also dug the old/new cylon slugfest.

I've been immersing myself in online reactions to the finale today (in between grading, grading, grading), and I'm surprised how many people were expecting a totally dark, nihilistic ending...


Yeah, plenty of folks agree with M re Kara, but I also really liked how ambigious it was. I like a little wonder and magic. The temptation in scifi is always to "explain it all" (Trek technobabble was notorious for this, especially Voyager..."oh, they weren't angels, they were just polyphasic beings we can now perceive with the frobonotzzz converter attached to our sensors, powered by the obligatory pulse from the warp core") Scifi's origins in the 1950s were in so many ways a repudiation of mysticism (Asimov, whom I still hold in a special place, is all about dispelling wonder as a means of liberation...science sets you freeee!...but, and I say this as a firm agnostic, you LOSE the ability to tackle certain basic questions about human experience if you restrict yourself to the experimentally verifiable.

Shows like the Xfiles (and in some eps, Babylon 5), really did mix science with wonder and ambiguity...BSG did it, too. It's funny how the original BSG used hit-you-over-the-head, non-LOLcat-approved Biblical references...BSG today is more well suited to today's (Blue-State, anyway) audiences' more subtle and nuanced understanding of things...

- SW

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